Weiner Elementary
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  • Artists
    • YEAR 1 & 3 >
      • Artist of the Week - 1st 9-weeks >
        • Monet
        • Artisans of the Ozark Folk Center
        • Renoir
        • Wood
        • Rembrandt
        • O'Keeffe
        • Hokusai
        • da Vinci
        • Durer
        • Bierstadt
        • Adams and National Parks
      • Artist of the Week - 2nd 9-weeks >
        • Raphael
        • Munch
        • Rivera
        • Titian
        • Rockwell
        • El Greco
        • Constable
        • David
        • Christmas art
      • Artist of the Week 3rd 9-weeks >
        • Degas
        • Vermeer
        • Cassatt
        • Turner
        • Homer
        • Whistler
        • Seurat
        • Van Gogh
        • Disney
      • Artist of the Week 4th 9-weeks >
        • Sargent
        • Chagall
        • Kandinsky
        • Picasso
        • Dali
        • Remington
        • Mondrian
        • Pollock
    • YEAR 2 & 4 >
      • 1st Nine Weeks >
        • Chihuly
        • Moses
        • Durer and Line
        • Matisse and Shape
        • Van Eyck and Texture
        • Velazquez - Space
        • Christy - Constitution Day
        • Monet and Color
        • Rembrandt and Value
        • Art Review- 1st 9-weeks
      • 2nd Nine Weeks Art >
        • da Vinci and Drawing
        • Cassatt and Painting
        • Hokusai and printmaking
        • Picasso and Collage
        • Rivera and murals
        • Michelangelo and sculpture
        • Relief Sculpture
        • Rodin and modern sculpture
        • Schulz and cartooning
        • Van Allsburg and illustration
      • 3rd Nine Weeks Art >
        • Warhol and Pattern
        • Escher and positive negative space
        • Van Gogh and rhythm
        • O'Keeffe and scale/proportion
        • Caravaggio and Emphasis
        • Kandinsky and Variety
        • Cezanne and Balance
        • Art in ancient culture
      • 4th Nine Weeks Art >
        • Bruegel and genre
        • Illuminated manuscripts
        • Adams and photography
        • Wright and architecture
        • Seurat and art displaying
        • Toulouse-Lautrec and graphic art
        • Tiffany and decorative arts
        • Drake and crafts
        • New Media Art
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    • Veterans Day & Art
    • Thanksgiving art
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  • Musicians
    • YEAR 1 & 3 >
      • 1st Nine Weeks >
        • Beethoven
        • Tribute to Aretha Franklin
        • Jimmy Driftwood
        • John Phillip Sousa
        • Claude Debussy
        • W. A. Mozart
        • John Williams
        • Idina Menzel
        • Amy Beach
        • Marching Bands
        • Carl Orff
        • William Grant Still
        • Scott Joplin
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        • Stephen Foster
        • Andrew Lloyd Webber
        • Johnny Cash
        • Aaron Copland
        • Musical Elements: Rhythm with Infinitus
        • Thanksgiving Music
        • Tchaikovsky
        • Handel
        • Johnny Marks
      • 3rd Nine Weeks >
        • Stephen Sondheim
        • Pentatonix
        • Sergei Prokofiev
        • Elton John
        • Louis Armstrong
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        • Cher
        • The Gershwin Brothers
        • Henry Mancini
        • The British Invasion
        • Woody Guthrie
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        • Alan Menken
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        • Florence Price
        • Yo-Yo Ma
        • George M. Cohan
        • Rimsky-Korsakov
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        • Antonio Vivaldi
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        • Gustav Mahler
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    • YEARS 2 & 4 >
      • 1st Nine Weeks >
        • Elvis Presley
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        • Randall Standridge
      • 2nd Nine Weeks >
        • Chicago
        • J. S. Bach
        • Banjamin Britten
        • Leonard Bernstein
        • Ella Fitzgerald
        • One Voice Children's Choir
        • Christmas Around the World
        • Jingle Bells
      • 3rd Nine Weeks >
        • Bedrich Smetana
        • Disney Composers
        • Garth Brooks
        • Edgar Varese
        • Joni Mitchell
        • Frederic Chopin
        • Valentine's Day
        • Koji Kondo
        • Philip Glass
        • Lin-Manuel Miranda
        • Review Week
      • 4th Nine Weeks >
        • Marian Anderson
        • Johann Strauss, Jr. >
          • Johann Strauss, Jr.
        • John Denver
        • Moses Hogan
        • Barry Manilow
        • F. J. Haydn
        • Wynton Marsalis
        • Gloria Estefan
        • George Strait
        • Jake Shimabukuro
        • Yanni
  • CHARACTER WORDS
  • School of Innovation!
    • Laying a Foundation
    • Art Music Plan
    • It's OFFICIAL!
    • Rationale
    • Mission & Vision
    • ADE Approved Plan
    • Graphic Plan
    • Implementation Plan
  • Library
  • G./T.
  • National Blue Ribbon School Info
  • Parents' Page
    • Resources for Parents

Patriotic Song of the Week

"When Johnny Comes Marching Home"

Franz Joseph Haydn

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Monday

Listening Example:  “Adam and Eve’s Duet” From the Oratorio “The Creation”
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(Franz) Joseph Haydn (hide-n) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio and his contributions to musical form have earned him the names "Father of the Symphony" and "Father of the String Quartet"

Joseph Haydn was born in Rohrau, Austria.  His father repaired wagon wheels and his mother was a chef for very wealthy people.  Joseph Haydn’s family was musical, but not in the traditional sense. His parents couldn’t read music, but they did a lot of singing and his dad could play harp by ear.

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Apparently Joseph was a prodigy, because he was sent away from home at the age of 6 to be trained in music in the nearby town of Hainburg. Joseph’s parents had a relative named Johan who happened to be a schoolmaster and choirmaster in Hainburg, and Johan agreed to take Joseph under his wing.  Young Joseph did no have a good time at Johan’s house. They didn’t feed him well and he remembers being embarrassed because his clothes were always dirty.


Today’s Listening Example is “Adam and Eve’s Duet” from Haydn’s oratorio “The Creation”.  An Oratorio is a large musical composition for orchestra, choir, and soloists. Like an opera, an oratorio includes the use of a choir, soloists, an ensemble, various distinguishable characters, and arias. However, opera is musical theater, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form.This oratorio is, as the name implies, about the creation of the Earth according to the Bible.  


Tuesday

Listening Example:  "Symphony No. 94 in G major" AKA "The Surprise Symphony"
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Franz Joseph Haydn was among the creators of the fundamental genres of classical music, and his influence upon later composers is immense.  Yesterday we learned that Haydn was a musical prodigy, so his parents sent him away to school.  He didn’t have to stay at that school very long, When he was 7, he passed a singing audition that allowed him to move to Vienna for school and singing. And that’s where he lived for the next 9 years. Eventually Haydn’s brother Michael came for training later on, in 1745, when Joseph was around 13.
But, like so many other talented boy singers, by the age of 17 he no longer had an angelic voice. The empress Maria Theresa even complained about his “crowing” voice. That, combined with his enthusiasm for pranks (he cut off another boy’s pigtail), led him to be kicked to the curb.

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Luckily Haydn was a hard worker.   He stayed with some friends and immediately went to work as a freelance musician. He did everything from teaching music to being an accompanist.   And since he didn’t get a good education in music theory when he was at school, good ol’ self-motivated Joseph taught himself. 


It’s safe to say  that Joseph would have been a hilarious jokester, which is probably another reason he and Mozart were best buds. Apparently the first comic opera he wrote, “The Limping Devil”, was shut down soon after it premiered for being “offensive”.

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Today’s Listening Example, “Symphony No. 94 in G major”,  is the second of the twelve London symphonies written by Joseph Haydn. It is popularly known as the Surprise Symphony. Haydn's music contains many jokes, and the Surprise Symphony includes probably the most famous of all: a sudden super loud chord at the end of the otherwise very soft opening theme.   The music then returns to its original quiet dynamic as if nothing has happened, and the ensuing variations do not repeat the joke.


Wednesday

Listening Example:  “Quartet No. 62 in C major, Op. 76, No. 3” Also Known As “The Emperor”
Haydn’s most celebrated pupil was Ludwig van Beethoven, and his musical form casts a huge shadow over the music of subsequent composers such as Schubert, Mendelssohn and Brahms.  Haydn soon became an assistant to composer Nicola Porpora in exchange for lessons, and in 1761 he was named Kapellmeister, or "court musician," at the palace of the influential Esterházy family, a position that would financially support him for nearly 30 years. Isolated at the palace from other composers and musical trends, he was, as he put it, "forced to become original."

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The concert hall of the Esterhazy palace.
As a "house officer" in the Esterházy establishment, Haydn wore livery and followed the family as they moved among their various palaces, most importantly the family's ancestral seat Schloss Esterházy in Eisenstadt and later on Esterháza, a grand new palace built in rural Hungary in the 1760s. 
Haydn had a huge range of responsibilities, including composition, running the orchestra, playing chamber music for and with his patrons, and eventually the mounting of operatic productions. Despite this backbreaking workload, the job was in artistic terms a superb opportunity for Haydn. The Esterházy princes were musical connoisseurs who appreciated his work and gave him daily access to his own small orchestra. During the nearly thirty years that Haydn worked at the Esterházy court, he produced a flood of compositions, and his musical style continued to develop.

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Painting of Esterhazy palace.
The six String Quartets, Opus 76 by Joseph Haydn were composed in 1797 or 1798 and dedicated to the Hungarian count Joseph Georg von Erdődy.  The set is one of the most renowned of Haydn's string quartet collections. Today’s Listening Example, “Quartet No. 62 in C major, Op. 76, No. 3,”boasts the nickname Emperor, because in the second movement is a set of variations on an anthem he wrote for Emperor Francis II. This same melody is known to modern listeners for its later use in the German national anthem.  


Thursday

Listening Example:  “String Quartet in E-flat major, Opus 33 No. 2” Also Known As “The Joke”
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Think of Haydn and you think of his impeccable musical craft, for some the defining sound of the classical period.  In 1790, when Prince Nikolaus I died and his son Anton took over, Haydn had a great opportunity. Anton wasn’t really interested in music, so he fired most of the court musicians. Haydn was kept around, but his pay was reduced. But since Haydn wasn’t really needed at the Esterhazy court anymore, it allowed him to travel, notably to London.
  Haydn was a huge deal in London, even though he’d never been there. His music was published widely over there, and frequently performed. People had been trying to get Haydn to come to London for about a decade, but he refused, because he had a good relationship with his employer Nikolaus I, and didn’t want to leave him.  58-year old Joseph traveled to London twice in his lifetime – once in 1791-92, and again in 1794-95. His tours were huge successes, his fame increased, and his wallet was forever happy.

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Haydn's sense of humor and cheek is well-known, so it's no surprise that it made it into many of his pieces too. His string quartet in E flat (subtitled 'The Joke') is a great example - there are false endings to try and catch the audience out.  “The Joke” is today’s Listening example….and that’s no joke! If you listen to the end, you will hear the “Joke” he plays on the audience. The music has a feeling of an ending, and even stops, but then picks back up again.


Friday

Listening Example:  “Symphony no. 96”  also known as  “The Miracle Symphony”
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Sometimes called the “Father of Symphony” or the “Father of the String Quartet,” Franz Joseph Haydn’s pivotal role in birthing the Classical Era is unquestioned. His influence on other masters like Beethoven and Mozart is common knowledge. You may think you know Haydn.  You don’t know Haydn. Here’s your chance.


Haydn wrote 106 symphonies, 90+ string quartets,     62 piano sonatas, and 32 piano trios.  By one estimate, he composed over 340 hours of music, more than Mozart, Beethoven, Handel or Bach.

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He is credited with inventing the string quartet as we know it, and with being the main architect of the classical formats.
He wasn’t formally a teacher of Mozart, but the two had a close relationship and high mutual regard. Haydn wasn’t an artist who struggled in obscurity. He was famous and revered during his lifetime, widely called the greatest living composer at the time. He would say that honor belonged to Mozart. Mozart’s Requiem was played at Haydn’s funeral when he died in 1809.

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Haydn suffered throughout his life from nasal polyps, which meant that his nose had a rather bulbous and disfigured look to it. At times, it became so uncomfortable that he wasn't able to compose. He also survived a bout of smallpox as a child

The premiere of Haydn's Symphony no. 96 was notable not only because it was another great Haydn symphony, but also because a huge chandelier fell from the ceiling during the performance. The symphony got its nickname, the 'Miracle' Symphony, because no-one was injured.”Symphony no. 96” is today’s Listening Example.


References

https://en.wikipedia.org/wiki/Joseph_Haydn
https://www.biography.com/people/franz-joseph-haydn-9332156
http://www.pianotv.net/2016/05/brief-history-of-franz-joseph-haydn/
http://www.classicfm.com/composers/haydn/pictures/haydn-facts-great-composer/mozart-and-haydn/
http://www.classicfm.com/composers/haydn/guides/haydns-creation-london-best-works/

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