Weiner Elementary
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          • Johann Strauss, Jr.
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  • CHARACTER WORDS
  • School of Innovation!
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  • Home
    • Blended Learning >
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      • Digital Learning Blended
    • Mrs. Pam Hogue (Principal)
    • Weiner Elementary Calendar
    • What Makes Us Different!
    • School of Innovation SLIDES
    • S documents
  • Places
    • YEAR 1 & 3 >
      • 1st Nine Weeks >
        • Rio
        • Giant Sequoias
        • Great Wall of China
        • Mount Everest
        • Taj Mahal
        • Grand Canyon
        • Pyramids of Egypt
        • Stonehenge
        • Kyoto
        • Tokyo
      • 2nd 9 Weeks >
        • Venice
        • the Vatican
        • Crystal Bridges
        • Arlington National Cemetery
        • Cave of Crystals/Others
        • Westminster Abbey
        • Sydney Opera House
        • Seattle, Washington
        • Christmas Places
      • 3rd 9 WEEKS >
        • Westminster Palace/Parliament
        • Easter Island
        • ISS
        • Paris
        • Amazon Rainforest
        • Serengeti
        • Festivals!
        • Walt Disney World
        • Pompeii
      • 4th Nine Weeks >
        • Tibet in Exile - INDIA
        • Istanbul
        • Sri Lanka
        • Jerusalem
        • Washington D.C.
        • Florence
        • WEINER!!!
    • YEARS 2 & 4 >
      • 1st Nine Weeks >
        • Memphis
        • Petra
        • Cinque Terre
        • Yosemite
        • Neuschwanstein Castle, Germany
        • Galapagos Islands
        • Keukenhof
        • Thorncrown Chapel
      • 2nd Nine Weeks >
        • Chicago
        • Machu Picchu
        • Scandinavia
        • The Dead Sea
        • Rome
        • Beijing
        • Christmas Week
      • 3rd Nine Weeks >
        • GREECE
        • Mecca
        • Ireland
        • Moscow, Russia
        • Chichen Itza
        • Palace of Versailles
        • Dubai
        • Cairo, Egypt
        • Freedom Tower / 911 Memorial
      • 4th Nine Weeks >
        • Barcelona, Spain
        • New York City
        • Angkor Wat, Cambodia
        • Terracotta Soldiers
        • Mount Rushmore
        • Parkin Archeological State Park
        • Kilimanjaro, Tanzania
    • Additional PLACES
  • Artists
    • YEAR 1 & 3 >
      • Artist of the Week - 1st 9-weeks >
        • Monet
        • Artisans of the Ozark Folk Center
        • Renoir
        • Wood
        • Rembrandt
        • O'Keeffe
        • Hokusai
        • da Vinci
        • Durer
        • Bierstadt
        • Adams and National Parks
      • Artist of the Week - 2nd 9-weeks >
        • Raphael
        • Munch
        • Rivera
        • Titian
        • Rockwell
        • El Greco
        • Constable
        • David
        • Christmas art
      • Artist of the Week 3rd 9-weeks >
        • Degas
        • Vermeer
        • Cassatt
        • Turner
        • Homer
        • Whistler
        • Seurat
        • Van Gogh
        • Disney
      • Artist of the Week 4th 9-weeks >
        • Sargent
        • Chagall
        • Kandinsky
        • Picasso
        • Dali
        • Remington
        • Mondrian
        • Pollock
    • YEAR 2 & 4 >
      • 1st Nine Weeks >
        • Chihuly
        • Moses
        • Durer and Line
        • Matisse and Shape
        • Van Eyck and Texture
        • Velazquez - Space
        • Christy - Constitution Day
        • Monet and Color
        • Rembrandt and Value
        • Art Review- 1st 9-weeks
      • 2nd Nine Weeks Art >
        • da Vinci and Drawing
        • Cassatt and Painting
        • Hokusai and printmaking
        • Picasso and Collage
        • Rivera and murals
        • Michelangelo and sculpture
        • Relief Sculpture
        • Rodin and modern sculpture
        • Schulz and cartooning
        • Van Allsburg and illustration
      • 3rd Nine Weeks Art >
        • Warhol and Pattern
        • Escher and positive negative space
        • Van Gogh and rhythm
        • O'Keeffe and scale/proportion
        • Caravaggio and Emphasis
        • Kandinsky and Variety
        • Cezanne and Balance
        • Art in ancient culture
      • 4th Nine Weeks Art >
        • Bruegel and genre
        • Illuminated manuscripts
        • Adams and photography
        • Wright and architecture
        • Seurat and art displaying
        • Toulouse-Lautrec and graphic art
        • Tiffany and decorative arts
        • Drake and crafts
        • New Media Art
    • Halloween Art
    • Veterans Day & Art
    • Thanksgiving art
    • Valentine's Day art
    • Presidents Day Art
  • Musicians
    • YEAR 1 & 3 >
      • 1st Nine Weeks >
        • Beethoven
        • Tribute to Aretha Franklin
        • Jimmy Driftwood
        • John Phillip Sousa
        • Claude Debussy
        • W. A. Mozart
        • John Williams
        • Idina Menzel
        • Amy Beach
        • Marching Bands
        • Carl Orff
        • William Grant Still
        • Scott Joplin
      • 2nd Nine Weeks >
        • Stephen Foster
        • Andrew Lloyd Webber
        • Johnny Cash
        • Aaron Copland
        • Musical Elements: Rhythm with Infinitus
        • Thanksgiving Music
        • Tchaikovsky
        • Handel
        • Johnny Marks
      • 3rd Nine Weeks >
        • Stephen Sondheim
        • Pentatonix
        • Sergei Prokofiev
        • Elton John
        • Louis Armstrong
        • Glen Campbell
        • Cher
        • The Gershwin Brothers
        • Henry Mancini
        • The British Invasion
        • Woody Guthrie
        • Dr. Seuss Music
        • Alan Menken
      • 4th Nine Weeks >
        • Florence Price
        • Yo-Yo Ma
        • George M. Cohan
        • Rimsky-Korsakov
        • Rodgers & Hammerstein
        • Antonio Vivaldi
        • Albert Ketelbey
        • Bette Midler
        • Gustav Mahler
        • Robert Rodriguez
        • Stevie Wonder
        • Carrie Underwood
        • Keith Urban
    • YEARS 2 & 4 >
      • 1st Nine Weeks >
        • Elvis Presley
        • Glen Campbell
        • Dolly Parton
        • Beach Boys
        • Richard Wagner
        • John Lennon
        • Camille Saint-Saens
        • Rossini
        • Mark Alan Springer
        • Review Week
        • Bobby McFerrin
        • Randall Standridge
      • 2nd Nine Weeks >
        • Chicago
        • J. S. Bach
        • Banjamin Britten
        • Leonard Bernstein
        • Ella Fitzgerald
        • One Voice Children's Choir
        • Christmas Around the World
        • Jingle Bells
      • 3rd Nine Weeks >
        • Bedrich Smetana
        • Disney Composers
        • Garth Brooks
        • Edgar Varese
        • Joni Mitchell
        • Frederic Chopin
        • Valentine's Day
        • Koji Kondo
        • Philip Glass
        • Lin-Manuel Miranda
        • Review Week
      • 4th Nine Weeks >
        • Marian Anderson
        • Johann Strauss, Jr. >
          • Johann Strauss, Jr.
        • John Denver
        • Moses Hogan
        • Barry Manilow
        • F. J. Haydn
        • Wynton Marsalis
        • Gloria Estefan
        • George Strait
        • Jake Shimabukuro
        • Yanni
  • CHARACTER WORDS
  • School of Innovation!
    • Laying a Foundation
    • Art Music Plan
    • It's OFFICIAL!
    • Rationale
    • Mission & Vision
    • ADE Approved Plan
    • Graphic Plan
    • Implementation Plan
  • Library
  • G./T.
  • National Blue Ribbon School Info
  • Parents' Page
    • Resources for Parents

Patriotic Assembly Song of the Week
"The Fifty States that Rhyme"


Monday

Listening Example: "The Blue Danube"
Picture
Johann Strauss, Jr. was an Austrian composer of light dance music who helped make the waltz popular.  He wrote over 500 waltzes and other types of dance music during the 19th century.
Johann Strauss, often referred to as Johann Strauss II or "the Younger," was born on October 25, 1825, in Vienna, Austria. He was the oldest son of Johann Strauss (the Elder), also a composer, but one whose reputation would eventually be eclipsed by his son's.

Strauss the Elder wanted his son to follow a different career path than he himself had followed, so Strauss II became a bank clerk while secretly studying the violin with a member of his father's company.  His father left the family when Strauss was 17, and Strauss soon began openly embracing the musician's life, conducting a band in a Viennese restaurant when he was still a teenager, in 1844.

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Johann Strauss, The Elder
Those of us with any knowledge of classical music should be able to recognize The Blue Danube, which is our listening example for today.  Written in 1866, it was performed in 1867 at the Paris World’s Fair, where it became a big success. The song is named after the river that begins in Germany, flows through eastern Europe, and empties into the Black Sea.

Tuesday

Listening Example:  "Voices of Spring Waltz"
Picture
Johann Strauss, the Younger, was a very famous, and successful, but he also knew the pain of failure.  Yesterday’s listening example, “The Blue Danube”, was a total flop when first performed in 1867. The audience hated the lyrics. Never one to give in to defeat, later that year at the Paris International Exposition, Johann performed it as an instrumental piece and it became a smash hit.

A year after the restaurant appearance, Johann Strauss formed his own band and suddenly found himself competing with his father. He also began writing at this point—quadrilles, mazurkas, polkas and waltzes, which were then performed by his orchestra.   He soon began receiving praise for his work and, in 1845, was awarded the honorary bandmaster position of the 2nd Vienna Citizens' Regiment. (To shed some light on the competition between father and son, Strauss the Elder was bandmaster of the 1st regiment.)

Picture
Picture
Strauss began composing for the Vienna Men's Choral Association in 1847. His father died two years later, prompting him to combine his own and his father's orchestras, after which he mounted a successful career.
Picture
Today’s listening example is “Voices of Spring Waltz”.  It was written by Strauss in 1882. He wrote it for one of his favorite pianists and composers, Alfred Grunfeld.  Like “The Blue Danube”, it was not a success at it’s first premiere. However, he later reworked it and made it a part of his opera “Die Fledermaus”, that we will hear later this week, and it became a huge success.  I’m sure you will recognize the tune from it’s grand entrance, all the way through to it’s breathless ending.

Wednesday

Listening Example:  "The Emperor Waltz"
Johann made his American debut in 1872 as part of the The World Peace Jubilee, an event with more than 2,000 musicians and 20,000 singers. Today, he and his music remain favorites all over the world. The Johann Strauss Orchestra, a modern incarnation of his own Strauss Orchestra, was established by world-renowned violinist, Andre Rieu, in 1987.
Picture
Picture
In 1853, Strauss fell ill, and his younger brother, Josef, took control of the orchestra for six months. After recovering, he dove back into conducting and composing activities—a pursuit that proved to be stronger than ever, gaining the eventual attention of such luminaries as Verdi, Brahms and Wagner.  Strauss Jr. eventually surpassed his father's fame, and became one of the most popular waltz composers of the era, extensively touring Austria, Poland and Germany with his orchestra.

Today’s listening example is “The Emperor Waltz”.  Written in 1889, the waltz was originally titled Hand in Hand and was intended as a toast made in August of that year by Austrian emperor Franz Joseph I on the occasion of his visit to the German Kaiser Wilhelm II where it was symbolic as a 'toast of friendship' extended by Austria to Germany.  Strauss' publisher suggested the title “The Emperor Waltz” since the title could allude to either monarch, and thus satisfy the vanity of both rulers. 

Thursday

Listening Example:  Overture to "Die Fledermaus"
Picture
Johann Strauss II’s success and popularity eclipsed his father’s. But the son often played Johann Senior’s works and openly declared his admiration of them, although it was no secret to the Viennese that their rivalry was intense.  In 1855, Strauss accepted commissions from the management of the Railway Company of Saint Petersburg to play in Russia for the Vauxhall Pavilion at Pavlovsk in 1856. He would return to perform in Russia every year until 1865.  

Later, in the 1870s, Strauss and his orchestra toured the United States, where he took part in the Boston Festival at the invitation of bandmaster Patrick Gilmore and was the lead conductor in a "Monster Concert" of over 1000 performers performing his "Blue Danube" waltz, amongst other pieces, to great acclaim.
Picture
Today’s listening example is the Overture (or opening song) for Strauss’ opera “Die Fledermaus”.    “Die Fledermaus” translates to “The Bat”; however, it is sometimes called “The Revenge of the Bat” because it is mostly about a wife and husband (who aren’t the smartest people) getting revenge on each other.   The operetta premiered on April 5, 1874 in Vienna and has been part of the regular repertoire ever since. In fact, it is said to be one of the top 16 most performed operas of all time.

Friday

Listening Example:  Overture to "Gypsy Baron"
Picture
Together with his brothers Josef and Eduard, Johann had complete control of the balls and concerts in the houses of the rich people in Vienna. Wherever he went he was surrounded by lots of admirers. His waltzes are still as popular as ever, and millions of people in different countries hear them on television on New Year's Day when they are played by the Vienna Philharmonic Orchestra at their traditional New Year’s Day concert.
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Johann Strauss II wrote two operas: Die Fledermaus (The Bat) and Zigeunerbaron (Gypsy Baron).

Picture
Picture
They are full of fun: lively music and jokes which can sometimes be made different in each performance: the singers can put in their own jokes about modern times.  Sometimes they are called operettas because they are so light-hearted. They are a mixture of Hungarian and Viennese atmosphere.
Picture
Picture
Today’s listening example is known as the Entrance March from “The Gypsy Baron.”  The Gypsy Baron is a story, of the marriage of a landowner, returned from exile, and a gypsy girl who is revealed as the daughter of a Turkish man, and the rightful owner of a hidden treasure.  This opera is considered to be a comic, or funny, opera, in three acts.

References

https://www.biography.com/people/johann-strauss-9496950
https://en.wikipedia.org/wiki/Johann_Strauss_II
https://www.connollymusic.com/stringovation/strauss-amazing-facts

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